Wednesday, January 6, 2010

Rapping all over the world?

There's one album that I couldn't stop listening to lately, "Yes" by K-Os. The album is different from most hip-hop/rap that I listen to. The beats are unique, the lyrics unusual, and has a completely different theme to it than many of the albums I've recently checked out.

Now K-Os (pronounced as "Chaos") is an artist that some people may have heard of, but for the most part, he still has work to do if he wants to become mainstream. Well, that's mainstream in America at least.

See, K-Os isn't your everyday average MC. His parents were Jehovah's Witnesses and he was born in Canada.

After seeing that, I started to wonder, do we have a major mainstream rapper in the U.S. that hails from a different country? Why is there so many European bands, mainly British, that become incredibly popular in the U.S., but that there are no foreign MCs?

Now, some people will try and argue me on this by bringing up Drake because he's from Toronto. I agree that Drake has experienced huge success as a foreign born MC, but other than Drake, can you name me one MC that has achieved that same success in the states?

I can't. It's not that hip-hop is nonexistent in other countries, K-Os has charted in the top ten with three of his albums on the Canadian charts. Dizzee Rascal, of Great Britain, has been extremely successful on the UK charts, but has never had an album or single even crack the Billboard 200. In fact, the only British foreign rapper to even chart on the U.S. Billboard Hot 100 songs was Lady Sovereign. Yeah, amazing right? Sovereign made big noise in 2006 with her single "Love Me or Hate Me" which was the #45th popular song for all of one week. Estelle, with her collaboration with Kanye West on "American Boy", did do very well on the U.S. charts, but Estelle is an R&B singer, not a rapper. Same goes for Leona Lewis too.

Another thing that's astounding is that even in their own countries, these artists aren't on the same level as the MCs in America. Rascal, who is arguably the most well known rapper in the UK, still is looking for his first #1 album on the UK charts. K-Os is experiencing difficulties as well. He hasn't charted higher than #5 in Canada.

Meanwhile, Jay-Z recently just became the only artist in American history to have eleven #1 albums. Eminem has two of the highest selling albums of the entire decade from 2000-2009 and sold more albums than any artist in that period. Even Wale, who just debuted this year and hadn't had a radio hit to date, had his album "Attention: Deficit" chart at #21 in the U.S. charts. It's amazing that even a guy like Lil Wayne that admits to smoking marijuana is an American icon because of his music.

So why the lack of international rap? Well, for one, hip-hop was born and bread in the U.S. It started with DJs rapping over samples back in the 1970's and has evolved into possibly the most popular form of music in the states. The greatest artists of hip-hop/rap come from the U.S. too, like 2pac, Notorious B.I.G., Nas, Jay-Z, and many, many more. This fact is even more mind boggling: Jay-Z's the "Blueprint 3" charted #1 on the U.S. and Canadian charts and reached #3 on the Irish charts and #4 on UK's billboard. Jigga was also the first rap artist to ever headline at the famous UK Glastonbury Festival in 2008. That means he achieved this rare honor before even Great Britain's own Dizzee Rascal.

All of this leads to a pretty startling conclusion: Even after over 30 years of hip-hop/rap, the music genre is still searching for its first international success. One of the reasons that this may be the case is because many MCs from other countries haven't had to go through what many in the U.S. have. Because the United States is such a large country, and has an always growing African American population, there is a lot more MCs that can be produced. It's like comparing a Division I school vs. Division III. In a Division I school, there is a bigger student population, which makes the chance of having more talented athletes better. In a Division III school, the pool of students is smaller so only a few really talented players will emerge. The U.S. is like a Division I school, whereas most countries in the world are like the Division III school.

I don't have a problem that hip-hop hasn't expanded much beyond the United States because the genre has expanded so much in America and has the highest quality. What I'm concerned with is if hip-hop/rap wants to become the revolution that rock music created, foreign MCs must emerge. For it to be truly successful, hip-hop needs to become something that people want to listen to and create for the world to listen to, rather than a small portion of it.

2 comments:

  1. This was an interesting topic. And in DI you have money scholarships, so you're getting all the talent, whereas in DIII, they can't give scholarships.

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  2. Damn dude, I didn't know you wrote this fluently. Idk how you find the time to do this. Its really well thought out and developed though. Your are certainly right about all of this but you know I'm praying hip hop doesn't expand anywhere and hopefully diminishes into oblivion. lol

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